Friday, September 30, 2022

Music Book Review: Rock Stars on the Record by Eric Spitznagel

Rock Stars on the Record: The Albums That Changed Their Lives
by Eric Spitznagel (Music 781.66 Spi)

Whether you’re a musician or an avid listener, one of the best ways to find out about music that you might enjoy is to look into the favorite music of your own favorite artists. While we find ourselves surrounded by new and relatively asynchronous ways to find music, like the algorithms of Spotify or Apple Music, this old tried and true method has the advantage of helping you to find some historical context for music that you like, which in turn will help you uncover musical eras and scenes that really appeal to you. This is kind of like the old school practice of chatting up record store clerks, who have a deep knowledge of music and often love to connect those historical dots, but even cooler coming directly from your own favorite artists. And there’s something special about getting to know the influences of your own favorite artists more deeply, too — since we already admire their music so much, we can get a sense of what the early building blocks in their own music were like, what aspects of music initially commanded their attention, and make more sense of exactly how they built on their influences. Sometimes this can give us a clearer sense of where our own musical interests come from.

 

But where does one find this kind of information? Sometimes the subject comes up during interviews, especially longer in-depth interviews, so that’s a place to start. Then of course there are biographies of so many artists, and early influences are a pretty common subject in all of those. But there’s a great recent book by Eric Spitznagel that gets directly to the point of asking various rock and pop musicians about their favorite records. It’s called Rock Stars on the Record: The Albums That Changed Their Lives, and you can borrow it from Polley.

 

In his brief introduction, Spitznagel reflects on how everyone, not just celebrity artists, tends to have some album that just feels like “home” to them, or represents the beginning of feeling like an adult, or like the album “saved their life,” something along these lines. We may talk about other albums with each other, but these album origin stories are part of us all. It’s a great setup for reading about what first inspired all of the successful musicians that follow in this book, because they were just like all of us when it came to these important early albums.

 

After the introduction, there doesn’t seem to be an obvious organizational system afoot through the rest of the book. The artists interviewed here don’t appear in alphabetical order or by era, but instead they seem to come together in a way that just makes for an overall pleasant flow, shifting between musical styles and eras. The first featured artist is Angelo Moore of Fishbone, a favorite band of mine growing up. His interview reflects the way many of these interviews go — there is a general discussion about the music he remembers from his youth, some of which is more about the music in his household instead of just music he selected for himself. And of course these early sounds find their way into musical thinking, too: his father was a jazz musician, so there was a lot of jazz in his house, but also rock music like the Doors and Led Zeppelin, and comedy rock like Cheech and Chong. If you think of even just those influences, you start to get a picture of where Fishbone came from. And then he talks about someone handing him the first Bad Brains album at a bus stop, which really blew his mind. And as a black musician starting to work with rock music influences, that early mixture of punk and reggae in Bad Brains makes total sense as a major inspiration for where Fishbone started, since they used a lot of reggae and ska sounds with the energy of punk in their earliest albums.

 

To name another specific example, Moore’s interview is followed by a chat with Alice Bag, of early LA punk band the Bags. She grew up with ranchera and Mexican pop music around the house from her parents, and soul music and the Beatles from her sister. She describes really getting into music in a more serious way after hearing David Bowie’s “Hunky Dory,” whom she felt that magical bond with immediately through the album. She also talks about being really into Elton John and Bessie Smith, but again, you can hear elements of all of these people somewhere in her music, which still features that kind of punk energy of that era of Bowie with soulful singing and compelling melodies.

 

These kinds of humanizing stories appear across a decent survey of the modern rock landscape, with interviews featuring folks like Jane’s Addiction singer Perry Farrell, Fugazi’s Ian Mackaye, Devo’s Mark Mothersbaugh, Weird Al Yankovic, Donnie Osmond, Laura Jane Grace, Verdine White, and many more. There are even musicians from younger generations like Marisa Dabice and James Petralli whose stories demonstrate how this phenomenon of feeling changed or understood by records continues to be an important process for folks of all ages.

 

When it comes to books like this, I think many readers may be inclined to look up the interviews with their own favorite artists first, but in truth I think even reading about the influences of folks you aren’t familiar with (or aren’t a huge fan of) is still a powerful experience. Taken as a whole, the book is a real celebration of those early moments of inspiration that help to define who we all become as people, regardless of whether we pursue music or not, and just basking in such sacred reminiscences feels good for the soul.

 

(If you enjoy this, you may also wish to try The Vinyl Dialogues by Mike Morsch or The Worst Gig by Jon Niccum.)

 

( publisher’s official Rock Stars on the Record web page ) | ( official Eric Spitznagel Twitter feed )

 

Recommended by Scott S.
Polley Music Library

Have you read or listened to this one? What did you think? Did you find this review helpful?

New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!


Check out this, and all the other great music resources, at the Polley Music Library, located on the 2nd floor of the Bennett Martin Public Library at 14th & "N" St. in downtown Lincoln. You'll find biographies of musicians, books about music history, instructional books, sheet music, CDs, music-related magazines, and much more. Also check out Polley Music Library Picks, the Polley Music Library's e-mail newsletter, and follow them on Facebook!

Thursday, September 29, 2022

Book Reviews: Camino Island and Camino Winds by John Grisham + Just Desserts reminder

Camino Island and Camino Winds
both by John Grisham (Grisham)

 

The libraries’ Just Desserts mystery fiction discussion group read and discussed two connected John Grisham novels for our August 2022 meeting — Camino Island (2017) and Camino Winds (2020). Other than his atypical “Skipping Christmas”, this was the first time I’d actually read a Grisham thriller — and I ended up really enjoying his writing.

 

Camino Island introduces us to Bruce Cable, owner of a small but thriving independent bookstore on Camino Island, in Florida. But he’s not the “hero” of the story. That’s Mercer Mann, a struggling 30-something young female writer, who is convinced by a shadowy security agent to infiltrate the Camino Island writing community to see if she can spy on Cable and find any evidence that he’s in possession of a set of F. Scott Fitzgerald manuscripts, stolen not long ago from a university. This first novel spends a lot of time setting up the relationships of the quirky folks living on the island, mostly in orbit around Cable and his bookstore. Mercer is a sympathetic character, if somewhat wishy-washy, but Cable is made out to be a gregarious, dominant and mischievous playboy personality, and even if he’s guilty of what he’s suspected off, I didn’t really want to see him get caught.

 

Camino Winds brings back most of the same set of characters, a couple of years later, for a more traditional mystery story. During a severe hurricane, which causes the majority of the island’s residents to evacuate, Cable and a few friends remain behind. When one of his friends turns up dead, but from injuries the storm couldn’t have inflicted on him, Cable believes that writer was killed, and continues to investigate what would have inspired such a violent act. Cable is definitely the central hero of this story, though his many friends and allies have major parts to play. And the bad guys in this second novel are truly deadly. A compelling read, and it will be interesting to see if Grisham returns to the Camino setting for a third novel again in the future!

 

I found Camino Winds to be a much more satisfying read, and it gets an “8” rating from me, while the first novel, Camino Island, gets only a “7”.

 

(In talking with Grisham fans, I’m told that the two Camino books are not typical of Grisham’s “legal thriller” style of writing. But, none-the-less, you may enjoy John Grisham‘s other books if you like either or both of these!)

 

( official John Grisham web site )

Recommended by Scott C.
Public Service — Bennett Martin Public Library

Have you read or listened to this one? What did you think? Did you find this review helpful?

New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

 


If you're a mystery fan, join us for this month's Just Desserts meeting tonight, September 29th, at 6:30 p.m. in the 4th floor auditorium of the Bennett Martin Public Library downtown at 14th & "N" St. -- this mystery-themed discussion group meets on the last Thursday of each month, January through October. This month's book up for discussion is "The Maid" by Nita Prose.

 

Even if you haven't read this specific book, you can still participate, and learn about great new mysteries to try! For more information, check out the Just Desserts schedule at https://lincolnlibraries.org/bookguide/book-groups/#justdesserts

Wednesday, September 28, 2022

Book Review: Bob by Wendy Mass and Rebecca Stead, with illustrations by Nicholas Gannon

Bob
by Wendy Mass and Rebecca Stead, with illustrations by Nicholas Gannon (j Mass)

 

Livy is a ten year old girl from Massachusetts who travels with her mother and baby sister to visit her grandmother, whom she hasn’t seen in five years. When she arrives and opens the door of the closet in her bedroom, she is greeted by a small, green creature in a chicken costume who says, “You’re back. Took you long enough.”

 

This is Bob, who has been waiting for five years for Livy to come back and fulfill her promise to help him discover who he is and where he came from — but Livy has no memory of Bob. Together, Livy and Bob piece together clues to these mysteries, find out why Bob wears a chicken costume, and the connection between Bob and the drought that the area has been suffering from.

 

The story is told in chapters that alternate between Bob’s and Livy’s perspectives. This is an engaging, heart-warming fantasy, that stands out for its unusual storyline and narrative structure. Highly recommended for upper grade school kids.

 

(If you enjoy this, you may also wish to try The Borrowers series by Mary Norton or The Spiderwick Chronicles series by Tony DiTerlizzi.)

 

( publisher’s official Bob web site ) | ( official Wendy Mass web site ) | ( official Rebecca Stead web site ) | ( official Nicholas Gannon web site )

 

Recommended by Peter J.
Virtual Services Department

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

 

Tuesday, September 27, 2022

Book Review: They Never Learn by Layne Fargo

They Never Learn
by Layne Fargo (Fargo)

They Never Learn opens with a murder that works out perfectly as planned by the book’s English professor protagonist. Scarlett Clark hunts men who get away with abusing women and girls, and she’s been making these deaths look like accidents or suicides for years in multiple cities.

 

Meanwhile, a young student is starting her Freshman year on the same university campus. Carly Schiller is swept up in the drama of her classmates and friends, soon discovering dangers below the surface.

 

This violent thriller rapidly switches between both engaging narratives until the inevitable collision. I enjoyed the sharp, bold, all-too-realistic writing.

 

(If you enjoy this, you may also wish to try Darkly Dreaming Dexter by Jeff Lindsay, Surrender Your Sons by Adam Sass or Getaway by Zoje Stage.)

 

( official They Never Learn page on the official Layne Fargo web site )

 

Recommended by Garren H.
Public Service — Bennett Martin Public Library

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

Book Review: Breathless by Amy McCulloch

Breathless
by Amy McCulloch (McCulloch)

Breathless is a thriller about climbing Manaslu, the eighth-highest mountain in the world. Journalist Cecily Wong has recently taken up mountaineering and has been promised an exclusive interview with a superstar climber if she makes the summit. The mountain would have been enough of a challenge, but Cecily starts to see and hear things that make her wonder if there’s a human danger on the mountain as well.

 

What makes Breathless stand out is that the author herself has climbed this mountain. I’ve read several novels on climbing, and this was by far the most informative about technicalities. The sense of place is strong. I rushed off to read more on Wikipedia about mountaineering in Nepal. I’d recommend this book to fans of survival adventures and the sort of murder mysteries where people in an isolated area start to die.

 

(If you enjoy this, you may also wish to try One by One by Ruth Ware, Getaway by Zoje Stage or All the White Spaces by Ally Wilkes.)

 

( official Amy McCulloch/Breathless web site )

 

Recommended by Garren H.
Public Service — Bennett Martin Public Library

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

Monday, September 26, 2022

Book Review: Quick Fixes: Tales of Repairman Jack by F. Paul Wilson

Quick Fixes: Tales of Repairman Jack
by F. Paul Wilson (not in the libraries’ collection — but you can borrow it through InterLibrary Loan!)

This anthology contains every Repairman Jack short story ever written. These short stories originally were published in various other anthologies or horror magazines, but have finally been pulled together into this one edition.

 

Repairman Jack is a secretive individual who lives off the grid and battles supernatural beings and demons. He has no magical powers himself but is quick-witted, creative (see the story ‘Interlude at Duane’s’ where he battles potential robbers using only what’s available to him in the drug store), and deadly with his skills. Jack doesn’t go out of his way to encounter these creatures, but he doesn’t run from a fight either.

 

Each of the nine short stories includes an introduction by F. Paul Wilson.

 

For anyone not familiar with the Repairman Jack series, this would be a good introduction. Once you’re hooked, begin the full-length novels with “The Tomb.” Then move on to the Teen Trilogy with the first book “Secret Histories” and The Early Years Trilogy starting with “Cold City.” All of the novels are available at Lincoln City Libraries, “Quick Fixes” is available through Inter Library Loan for $2.50 to assist with postage.

 

(If you enjoy this, you may also wish to try the rest of the Repairman Jack series by F. Paul Wilson.)

 

( official F. Paul Wilson web site )

 

Recommended by Charlotte M..
Public Service — Bennett Martin Public Library

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

Friday, September 23, 2022

Music Book Review: The Musical Human: A History of Life on Earth by Michael Spitzer

The Musical Human: A History of Life on Earth
by Michael Spitzer (Music 780.9 Spi)

When we talk about music history books, we’re usually not going particularly far back in history. Most general music histories only trace back to the earliest history we have of written music, which is to say western civilization’s written music history, and there just isn’t a lot of written music that’s survived that’s much older than the most recent millennium. Music, which is of course literally made of sound and dissipates immediately after it is played, relied on oral history before that, and although we can find the occasional ancient flute-like instrument, we know almost nothing about the music that might have been played before notation. And written music is lacking, too: the further you go back, the less we understand the notational systems that were used, and there are likely rhythms and ornamentations associated with some of the earliest plainchant music that we simply don’t know about. Yet we know that music is an important part of our society now, and that it seemed to have a similar cultural weight in previous eras, so it’s likely that it played an important role farther back than we can normally look, even if it remains invisible to us, unlike early tools and cave paintings.

 

If music is anything like other forms of expression, from painting to poetry to sculpture, it seems likely that it played important roles in the lives of early humans, too, but how do we look for it? Professor Michael Spitzer from the University of Liverpool has published a book that attempts to look for signs of music further back in time than other music histories have dared to tread. It’s called The Musical Human: A History of Life on Earth, and you can borrow it from Polley. There’s nothing quite like it, and the writing style keeps things engaging, too, while we search for the musical mysteries in our collective past.

 

The book is divided into three main parts: “Life,” History,” and “Evolution.” The first chapter, named “Voyager” after the spacecraft carrying a record of sounds from our planet deep into space, acts as somewhat of an introduction to the book and its format. We’re about to take an unusual path into history, dipping further back into time in three stages, rather than the typical history book that starts in ancient times and progresses toward the present. This is because of the problem I mentioned earlier — we simply can’t look very far into music history using our conventional methods of historical research. There is no physical remnant of music other than instruments and music notation in more recent times and mostly western parts of the world, and then the occasional instrument (or what appears to us to be an instrument or two) further into “prehistory,” or the pre-civilization part of our past. In “Voyager,” Spitzer starts by identifying what a person can discern about how our music sounds from looking at music notation, going increasingly further back in time. The further you go, our forms of notation lack descriptions of tempo, dynamics, phrasing, expression, rhythm, and harmony. It’s likely that there were performance practices in place for the music contained in these written documents that accounted for some or all of these missing nuances, but we’ll likely never know. This is going to be a challenging subject.

 

So Spitzer has chosen three general lines of attack. In Part One, “Life,” he explores the present-day conditions of music, and what we understand about music’s global commonalities and regional particularities. In this section, he stays mostly within the “recording era” of the last century or so to find important principles and associations that we can travel further back in time with in Part Two, “History.” So what are a few of these important principles? In terms of interrelationships between people, he finds that group creativity is generally more common than individual creativity in the creation of music: outside of the Western composer tradition, music generally seems to come from group effort, which we see in various forms of world music and within our own pop bands today. The social implications of music reach farther than composing and performing, of course: he observes the various ways which music accompanies all of us through our days in modern life, whether we are making it ourselves or not. Young folks making music with the latest digital technologies still find it to be a social activity, connecting with people in person and online. Music becomes the soundtrack in our workplaces and stores. In folk traditions of recent history, we had various kinds of songs made to lend themselves to different situations, from religious ceremonies to work songs to songs about romantic relationships or mourning that we can all identify with at different times, and contemporary music still contains these messages and impulses, even if it’s marketed under different kinds of contemporary genre names.

 

Other parts of Spitzer’s speculations into deeper history will require examining some biological concepts, so he introduces the present-day understanding of some of these ideas, too: Music can influence our emotions, and in doing so it also has measurable effects on things changing the collective heart rates of audiences. We perceive musical pitches as going “up” or “down,” while there isn’t really a physical correlate for the idea, but he looks for one in the development of the Organ of Corti in our ears, which he presents as a functional refinement of the lateral line found in fish. Now we can say that music relates to motion and emotion!

 

The writing style of the book appeals to me, but it might not be for everyone. In attempting to dive into musical prehistory, the author draws from anecdotes throughout human experience and musical traditions, and in doing so, it can feel like you’re in the narrative equivalent of a street race course. I enjoyed speeding around all of these cultural corners, but if you ever start to feel lost, he occasionally slows down to summarize where we’ve gone so far, and where we’re about to go with what we’ve learned.

 

Keep this in mind as you dive into the middle part of the book, “History,” where the book travels between different places and eras at breakneck speed. By music history standards, this section starts mostly in prehistory, where we’ve tried to make sense of what music might have been like by looking at remnants of musical instruments (concepts like the harp being developed out of the hunting bow, for example). Here, Spitzer looks for distinctions in the kinds of music that might have been made by different kinds of human societies like hunter-gatherers that traveled versus early agricultural areas that were settled, mostly by looking at the kinds of instruments and literary or pictorial representations of music they left behind. For readers who (like me) have mostly a background in the history of the Western musical tradition, there is a lot of material here about music from the historical record that’s totally new information. From there, we move around a lot, but gradually pull toward present time again, collecting cycles of information that show how music was used by different cultures and conquering empires over time, what changed and what remained the same.

 

The final section, “Evolution,” is somewhat speculative by nature, but it’s a fascinating look into the truly ancient past of music, when it might not have been “music” in the way we think of it now, but instead a spectrum of useful sounds for various animals. Spitzer attempts to find the point at which early humankind might have embraced music in a manner that would still be recognizable to us. Then he takes us into the speculative future as well, where perhaps machines or artificial intelligences will make music that transcends our current conception of its possibilities.

 

He ends with a kind of summary of the threads that have come through this whirlwind of a book, “eleven lessons on music’s nature.” If you’ve found yourself occasionally lost amidst the many anecdotes in this book, you’ll find Spitzer’s intended takeaways presented here in a more direct format. I found it fun that he boiled things down to eleven “lessons,” which presumably would start to repeat again at the octave if there were a 12th. Even though I felt like I was comfortably following along throughout, there are so many concepts afoot that this is an effective way to draw out some primary themes for final consideration.

 

Back to the beginning of the book, Spitzer lays out a “Big Idea” that he intends to argue for throughout the book. This is mostly about the idea of the “nature of music” and humankind’s relationship to — or betrayal of — that nature. And in the end, I don’t know that he successfully makes his case, at least for me. Truth be told, I don’t especially care about a fundamental “nature of music,” and to the extent that music is an extension of the human experience, I don’t think we can betray it, either. But for me, reading through the many historical twists and turns in this book is more satisfying than discovering a unified field theory of music would be, anyway.

 

(If you enjoy this, you may also wish to try A Million Years of Music: The Emergence of Human Modernity by Gary Tomlinson or Music: A Subversive History by Ted Giola.)

 

( publisher’s official The Musical Human web page ) | ( Wikipedia entry for Michael Spitzer )

 

Recommended by Scott S.
Polley Music Library

Have you read or listened to this one? What did you think? Did you find this review helpful?

New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!


Check out this, and all the other great music resources, at the Polley Music Library, located on the 2nd floor of the Bennett Martin Public Library at 14th & "N" St. in downtown Lincoln. You'll find biographies of musicians, books about music history, instructional books, sheet music, CDs, music-related magazines, and much more. Also check out Polley Music Library Picks, the Polley Music Library's e-mail newsletter, and follow them on Facebook!

Thursday, September 22, 2022

Book Review: Six Wakes by Mur Lafferty

Six Wakes
by Mur Lafferty (e-Book)

This 2017 science novel by Mur Lafferty was a nominee for both the Nebula Award (selected by fellow genre writers) and the Hugo Award (selected by fans of the genre), though it did not win either. It was also a finalist for the British Science Fiction Association Award and the Philip K. Dick award. Although clearly a science fiction novel for its settings, technology and character types, it is also a mystery/thriller.

 

Six Wakes takes place in a futuristic setting where cloning has become commonplace, and those who choose to be cloned can have their memories and identity downloaded into the new adult body. In space, six crew members of a deep-space transport vessel all wake up in newly cloned bodies, with only partial memories from their previous iterations downloaded into the new bodies. There’s a major gap in their timeline, and they quickly discover that five of their six previous bodies died in violent and unexplained ways (and the sixth is in a coma). The race is on to figure out what happened to their previous versions, and see if they can rebuild the technology on their ship that would allow them to grow their own next batch of clones — otherwise they’re all now trapped in their current bodies facing permanent death, one or more of them is apparently a violent killer, and the gaps in their memories mean they have no idea who to trust…not even themselves.

 

Six Wakes is a mind-bending thriller, with six extremely different characters, who don’t seem to get along well with each other, which causes some interesting friction. The science fiction and mystery elements merge effectively, and you’ll be on the edge of your seat with anticipation as you wait to see what the next twist in the story will be. I have yet to read a Mur Lafferty story I’ve been disappointed with.

 

( official Six Wakes page on the official Mur Lafferty web site )


(The libraries only have this in e-book format at this time.)

 

Recommended by Scott C.
Public Service — Bennett Martin Public Library

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!

Wednesday, September 21, 2022

Book Review: James Herriot: The Life of a Country Vet by Graham Lord

James Herriot: The Life of a Country Vet
by Graham Lord (B H43551)

The last James Herriot biography that I reviewed was by Herriot’s son, Jim Wight, and titled The Real James Herriot: A Memoir of My Father. Prior to his death, Alf Wight (otherwise known as James Herriot), told his son that he did not plan to write his own autobiography and had turned down several offers from publishers to have a detailed biography written. Alf told his son, Jimmy, that if anyone were to write his biography, he would want it to be written by him — the son who knew his father better than anyone. Jimmy left his job as a veterinarian to commit to the project of writing his father’s biography following Alf’s death in 1995. Prior to the release of that biography, another one was written: James Herriot: The Life of a Country Vet, written by journalist Graham Lord. Graham Lord wrote an excellent review of James Herriot’s book for the London Sunday Express, which really helped to get publicity for the book for an unknown author. Alf was so pleased by this that he wrote a very nice thank you letter to Lord and for many years would give him credit for jump-starting his career as a writer. I decided to read these books simultaneously to see how they compare.

 

Graham Lord produced a marvelous look at all aspects of the life of Alfred Wight in this biography using meticulous research, scores of interviews with the people who knew him or his family, and his own first-hand knowledge of the author during his years when he was writing about his alter-ego, James Herriot. I found his research into old school records from Alf’s earliest years in Glasgow all the way through his college years to be exceptionally fascinating. Photographs of the schools including Yoker Primary School and Hillhead High School along with photos of classmates and school records are a nice addition to the research that Lord did in looking at those early years. I was impressed that he was able to track down classmates of Alf’s and get interviews with them so that the reader can see what his life was like in Glasgow during that period before World War II.

 

One of the things that disturbed me the most about Lord’s book is that he dwelt too much on the occupations of Alf’s parents and worried too much about the discrepancies between listed occupations for Jim and Hannah Wight and how they were described by Alf. Many of those discrepancies could have been easily cleared up by asking Alf’s son Jimmy which left me to wonder why he didn’t make the attempt. Also, he seemed to think that Hannah lived “comfortably” on her own means without following up to find out that Alf had been supporting her his entire life, buying his parents’ house for them from his own limited income.

 

What I did enjoy about Lord’s biography of James Herriot is that he included lots of information from each of the publishers who published the books as well as information about the film versions of Herriot’s life, followed closely by the marvelous BBC production of “All Creatures Great and Small” starring Christopher Timothy and Robert Hardy. The photos included of Yorkshire and the various locations used in the films and television series were fun to see.

 

I was pleased that Graham Lord mentioned at the end of his book that Jimmy had taken time off from working as a vet to spend time working on his biography of his father. Having read both of these at the same time, I would have to say that Jim Wright’s version is the better of the two, but Lord’s book has more information about the old television series if you are interested in reading about that. If Alf were alive, I know which one he would suggest that you read — the one written by the person who knew him best, working alongside him all those years in Thirsk: his son, Jim Wight.

 

For those interested in the film versions, the library owns the 1974 film with Simon Ward as James Herriot; also the complete series of the television program starring Christopher Timothy as James, and the newest television series starring Nicholas Ralph as the young James Herriot. I just recently discovered that there is another series in the United Kingdom called “The Yorkshire Vet” looking at the veterinary practice started by James Herriot, currently run by one of his former assistants, Peter Wright. Both of Alf Wight’s children, Jimmy and Rosie, are still living in England.

 

(If you enjoy this, you may also wish to try The Real James Herriot: A Memoir of My Father by Jim Wight, James Herriot’s Yorkshire by James Herriot or any of the books or DVDs in the All Creatures Great and Small series by James Herriot.)

 

( publisher’s official James Herriot: Life of a Country Vet web page ) | ( Wikipedia entry for Graham Lord )

 

Recommended by Kim J.
Public Service — Bennett Martin Public Library

 

Have you read or listened to this one? What did you think? Did you find this review helpful?


New reviews appear every month on the Staff Recommendations page of the BookGuide website. You can visit that page to see them all, or watch them appear here in the BookGuide Blog individually over the course of the entire month. Click the tag for the reviewer's name to see more of this reviewer’s recommendations!