by Rodney Barnes (writer) and Jason Shawn Alexander (artist) (741.5 Bar)
Many years ago (back in the 1980s), I saw the 1972 film Blacula, starring William Marshall as the titular black vampire…an African prince (Mamuwalde) in the 1800s, who tried appealing to Transylvanian Count Dracula for help in stopping the slave trade, only to be attacked by the vampire and lose his wife. Dracula turned Mamuwalde into a vampire, then imprisoned him in a coffin in Dracula’s own estate. In the film, Mamuwalde’s coffin is moved to Los Angeles in 1972 and opened, and mayhem happens. The name “Blacula” was actually a derogatory slur from Dracula, and the film Blacula was one of a wave of “blaxploitation” films in the early and mid-1970s. It was actually successful enough to inspire a sequel, Scream, Blacula, Scream (1973).
In this brand-new graphic novel sequel, set in contemporary times (2020s), the name “Blacula” has been showing up in urban graffiti all over L.A., but especially in the Watts neighborhood. A paranormal blogger, Tina Thomas, investigating the rumors of the return of a serial killer not heard from since the 1970s, connects with a group of other “vampire hunters” seeking vengeance for lost family members.
Meanwhile, Prince Mamuwalde, in Hell, appeals to Lucifer to be released — he is only there because he was cursed beyond his own control. Though denied by Lucifer, Mamuwalde somehow escapes and returns to the world of humanity, pledging his “undead” existence to finding and destroying Dracula. The bulk of this graphic novel follows Mamuwalde’s quest in search of Dracula, and the actions of the team of amateur vampire hunters who have to decide whether to oppose Mamuwalde or aid him.
The painted artwork in this graphic novel is absolutely gorgeous — atmospheric and haunting. Alexander manages to capture the looks of both the actors William Marshall (Mamuwalde) and Charles McAuley (Dracula) as they appeared in the 1972 film, and all of the new supporting characters are also extremely well-realized. Although the storytelling is done in such a way that you don’t absolutely have to have seen Blacula (1972) or Scream, Blacula, Scream (1973) in order to understand the modern update, I strongly urge readers to see at least the first film before indulging in this excellent sequel — there are many callbacks in the artwork and storytelling to the events and characters of the original film. (*Spoiler alert* — though much of the plot of this graphic novel is brought to an end, it does actually end on a cliffhanger, meaning the creative time intend for Blacula to return!)
(If you enjoy this, you may also wish to try the films Blacula and Scream, Blacula, Scream.)
( official Rodney Barnes web site ) | ( official Jason Shawn Alexander web site )
Recommended
by Scott C.
Bennett Martin Public Library — Public Service
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