by Ever Dundas (Dundas)
HellSans has a lot going on, but the first thing you’ll notice is that there are two options for where to start reading. The book as a whole is divided into three parts labeled:
- Part One or Two: Icho
- Part One or Two: Jane
- Part Three: HellSans
I opted to start with the Jane narrative which follows the protagonist, Jane, the billionaire head of a personal assistant robotics company who is having a very bad day. As you might guess, the other option is to follow the other protagonist, Icho, who is secretly working on a cure for HellSans Allergy and is also having a very bad day. Not for sensitive readers.
The titular “HellSans” is a
typeface which produces euphoric “bliss” effects in most people who look at it.
It is, of course, used heavily by government and news agencies. Some people are
immune to this effect. Still others have a severe allergic reaction to seeing
or even visualizing in the typeface. This has led to social ostracization to
the point where allergic people are not legally considered human. The personal
assistance robots are free to kill them. So, as you might imagine, there’s a
lot of political analogy and satire happening in this book.
This all might have made for a fine
sci-fi novel, but once you’ve gotten through both of the first parts and into
the final section, this book gets bold. There’s metatexual play and the stakes
change dramatically. I was left with as much appreciation for what HellSans
*does* as I did for how it told the story.
(If you enjoy this, you may also
wish to try The Player of Games by Iain M. Banks, or Manhunt by Gretchen Felker-Martin.)
( publisher’s official HellSans
web site ) | ( official Ever
Dundas page on the Scottish Book Trust web site )
Recommended
by Garren H.
Bennett Martin Public Library — Public Service
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