Wonder Woman ’77 Meets the Bionic Woman
by Andy Mangels, Judit Tondora & others [YA PB (Graphic Novel) Mangels (and) Hoopla]
A few months ago, I reviewed Wonder Woman ’77 Vol.1, which was a
marvelous recapturing of the style of superhero storytelling as seen in
the old Wonder Woman television series starring Lynda Carter. Since
then, I’ve had the pleasure of reading Wonder Woman ’77 Vol 2, and this,
Wonder Woman ’77 Meets the Bionic Woman.
This cross-over title was a whole lot of fun, especially for somebody
who literally grew up on both of those television series. Wonder
Woman’s pilot aired in 1975, and the series ran for three seasons from
1976 to 1979. The Bionic Woman, starring Lindsay Wagner, also ran for
three seasons, from 1976 to 1978. Each series also had some bumps in its
network run — Wonder Woman began as a 1940s era series on ABC, before
moving to CBS and updating to a contemporary (1977) setting. The Bionic
Woman also began life on ABC, as a spin-off of The $6 Million Man, then
moved to NBC for the final part of its run. Both featured strong
action-oriented female leads, and both featured wild and outrageous
science fiction and/or fantasy plots, that often strained viewers
credulity.
I mention the outrageous storylines specifically, because they tie
directly into this cross-over tale. This trade paperback combines the
six-issues of a comic-book miniseries, written by Andy Mangels with art
by Judit Tondora. Diana Prince (Wonder Woman’s civilian cover identity, a
government intelligence agent), and Jamie Sommers, a bionically
enhanced intelligence agent (for a different agency) encounter each
other while at an East Coast conference when they both have to help stop
a terror attack. The two women bond over their similar lives and are
soon assigned, by their respective agencies, to work together to
investigate a vast international conspiracy. It turns out that villains
from multiple episodes of each of the series, all of whom were
responsible for creating lifelike androids that were tools of evil
megalomaniacs, have teamed up to combine their knowledge and goals. And
they’re all working for a WWII Nazi mastermind, who wishes to invade
Diana’s homeland, Paradise Island, and wipe out the Amazon Princess’s
family and friends.
The plot of this six-part storyline is really dark, and totally nuts,
but still a hoot to read. We have guest appearances but many, many
supporting characters from both shows’ casts, and artist Tondora does a
fairly good job of having the huge cast of major characters all strongly
resemble the actors who orginally played them (particularly Fritz
Weaver as one of the mad scientists, and Richard Anderson as Oscar
Goldman and Martin E. Brooks as Dr. Rudy Wells). Tondora’s depictions of
both Lynda Carter and Lindsay Wagner aren’t perfect, but they’re
successful more often than they’re wrong, and this really does feel like
it could have been a TV mini-series crossover event. Some of the
plotline and dialog is a bit hackneyed, but they that could also be said
about both of the TV series at the time as well.
Overall, though I truly enjoyed this time capsule event — it is set
in the late 1970s, and definitely felt accurate for the setting. And,
seeing two of TV’s most memorable TV heroines fighting side-by-side
against an army of Nazi soldiers and Fembot female androids is marvelous
fun. I went out and bought this one for my own collection, but you can
enjoy it here at the library!
[If you enjoy this, you may also wish to try
Wonder Woman ’77 Volume 1 and
Wonder Woman ’77 Volume 2, by Marc Andreyko, or
The Bionic Woman graphic novels on Hoopla.]
[ official
DC Wikia entry for this mini-series ]
Recommended by
Scott C.
Bennett Martin Public Library
Have you read this one? What did you think? Did you find this review helpful?
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