Curtain Up: Agatha Christie — A Life in the Theatre
by Julius Green [Biography Christie]
I was part of the play reading committee for our local community
theatre last year, as that group was contemplating producing an Agatha
Christie play. As part of that process, I read a dozen of Christie’s
sixteen published/produced stage plays, helping the Lincoln Community
Playhouse select “Black Coffee” (Christie’s one-and-only full-length
Hercule Poirot play), and the Beatrice Community Players select “A
Murder is Announced” (an adaptation for stage of one of Christie’s Miss
Marple novels).
In the process of reading all of these plays, I became fascinated by
Christie’s long and successful relationship with the world of the
theatre, so I was incredibly please to stumble across this marvelous
book and be able to recommend it as a purchase for the libraries.
Curtain Up is a biography of Christie, but focusing only on her involved
with writing and producing stage plays. There are many other excellent
biographies about Christie that cover the rest of her life, but few of
them take much notice of her play-authoring experiences. From a very
young age, Agatha Christie was fascinated with the world of the theatre.
In her teens and twenties she acted in a few plays and/or musicals, and
wrote many playscripts, none-of-which were produced at that early age.
It was not until 1930, nearly a decade after she had achieved success as
a novelist, that her first full-length play was produced in London —
Black Coffee, a Hercule Poirot story written directly for the stage (and
not novelized until 20 years after her death). Christie took a bit of a
hiatus from writing her mystery novels in the early 1950s and wrote
several successful plays — in fact, she still holds the record of being
the only female playwright to have three hit shows running in London’s
West End theater district simultaneously (in 1954).
Of Christie’s play output, readers may already be familiar with
The Mousetrap (which has run now for 67 straight years in London),
And Then There Were None, and
Witness for the Prosecution.
But she has several other very entertaining works to her credit. I have
to admit to a little bit of bias in enjoying Black Coffee (since I
ended up getting to actually portray Poirot in the Lincoln production of
the play), but I also recommend
Spider’s Web,
Towards Zero,
Verdict and
The Unexpected Guest.
This highly-detailed and extensively-annotated volume goes into the
writing and producing of each and every one of her plays, as well as
those that have never been produced. If you have even the slightest
interest in Agatha Christie, play-writing in general, or the the history
of the British theater scene, you’ll enjoy this book.
In all honesty, I will have to admit, even I found the writing of
this one a bit dry and academic at times, but at the same time, author
Julius Green injects quite a bit of humor into his writing, which
lightens the academic parts quite a bit!
[If you enjoy this, you may also wish to try
The Mousetrap and Other Plays, by Agatha Christie — a collection of 8 of her 16 produced plays (sadly
not including Black Coffee!]
[ publisher’s official
Curtain Up web page, including online addendums ]
Recommended by
Scott C.
Bennett Martin Public Library
Special Event: Don’t miss
“The Mystery of Agatha Christie”, a special 75-minute presentation at the Bennett Martin Public Library on the evening of,
November 7th, 2018, 6:30-7:45 p.m.
— a celebration of all things “Christie”, covering the author and her
life (including her mysterious 11-day disappearance), her entire body of
written work, and the stage, screen and television adaptations of her
stories. But first, join fellow theater-goers in attending the play
Black Coffee, starring Hercule Poirot, at the
Lincoln Community Playhouse in late October 2018.
Have you read this one? What did you think? Did you find this review helpful?
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